Simon Mol charged with infecting 12 Polish women with HIV
Almost a year after he was first detained by police in Warsaw, the Cameroonian ‘refugee’, poet and human rights activist is finally charged by the prosecution service, and faces a long jail sentence.
Mol’s case, as it was revealed in a blaze of outrage in the Polish media in January this year, is a tabloid journo’s dream.
An African who had won refugee status and had become a well-known media figure, campaigning on human rights and race issues in Poland, was accused by numerous women in Warsaw of infecting them with HIV, while all along knowing that he was carrying the virus.
But the case is not just about whether he knew, or not, that he was HIV positive (although that is what the court, when he finally comes before a judge, will be deciding). When asked by the women to use protection before sex, he had refused, claiming that they were only asking him to wear a condom because he was ‘an African’.
When the Rzeczpospolita daily went to Cameroon and Nigeria to examine whether Mol’s claims of political persecution in those countries was true, they found that his family, friends and work colleagues knew nothing about it. It seems that Mol was an economic migrant, not a political refugee. Mol's side of the story is here.
So, in one case we have a deadly combination of sex, race and politics. If you had to write a prototype tabloid shock, horror story, then this was it.
Of course, if the prosecution can prove that Mol knew he had HIV and had deliberately infected women as some kind of political ‘revenge’ – and this has been suggested in the press coverage here – then this is a very, very nasty crime, indeed, and nobody would be too upset if they slung him in jail and threw away the key.
Simon Mol and the ‘Warsaw Salon’
Many of the women who slept with Mol seem to come from artistic, liberal circles, known here as the ‘Salon’. Mol was a poet and writer (though not a particularly good one) who was a member of many cultural societies and political organizations in Poland. He was allied to the small Green Party, but also a member of an ex-pats’ writer’s club based in Warsaw.
After I was asked to join the same writer’s club, this summer, I was talking to one of the organizers about the Mol case. The guy told a familiar tale, of feeling ‘betrayed’ by Simon. Everyone was taken in by him, and not just the 12 women infected with HIV, and the many others who were lucky enough to get away with the encounter.
I also took part in a UK documentary about the culture of Polish soccer fans, which was filmed in Warsaw and Krakow late last year. One of the other contributors was Simon Mol, who was involved in the ‘Kick Racism out of Football’ campaign. I got a slightly worried email in March, this year, from the British producers of the film, asking whether Mol’s presence in the documentary would damage its credibility. It was too early to say yes or no, as nothing has been proved in a court of law, one way or another (and we should remember that it still hasn’t). I don’t know whether they have kept Mol in the film, but if I was the documentary maker, I probably would have left him on the cutting room floor.
I met Mol a few times, and he was a convincing character. He seemed genuine. And what he talked about – the inadequate refugee services in Poland, the racism he and other Africans encountered, remains, despite the fact the Mol himself allegedly appears to have been charlatan, essentially true.
Mol has left many angry, disappointed, and sick people in his wake. What is also worrying is the damaged image of genuine African refugees in Poland. They have joined the long list of victims of the actions of Simon Mol, the man whose poetry seduced a nation. Link
Mol’s case, as it was revealed in a blaze of outrage in the Polish media in January this year, is a tabloid journo’s dream.
An African who had won refugee status and had become a well-known media figure, campaigning on human rights and race issues in Poland, was accused by numerous women in Warsaw of infecting them with HIV, while all along knowing that he was carrying the virus.
But the case is not just about whether he knew, or not, that he was HIV positive (although that is what the court, when he finally comes before a judge, will be deciding). When asked by the women to use protection before sex, he had refused, claiming that they were only asking him to wear a condom because he was ‘an African’.
When the Rzeczpospolita daily went to Cameroon and Nigeria to examine whether Mol’s claims of political persecution in those countries was true, they found that his family, friends and work colleagues knew nothing about it. It seems that Mol was an economic migrant, not a political refugee. Mol's side of the story is here.
So, in one case we have a deadly combination of sex, race and politics. If you had to write a prototype tabloid shock, horror story, then this was it.
Of course, if the prosecution can prove that Mol knew he had HIV and had deliberately infected women as some kind of political ‘revenge’ – and this has been suggested in the press coverage here – then this is a very, very nasty crime, indeed, and nobody would be too upset if they slung him in jail and threw away the key.
Simon Mol and the ‘Warsaw Salon’
Many of the women who slept with Mol seem to come from artistic, liberal circles, known here as the ‘Salon’. Mol was a poet and writer (though not a particularly good one) who was a member of many cultural societies and political organizations in Poland. He was allied to the small Green Party, but also a member of an ex-pats’ writer’s club based in Warsaw.
After I was asked to join the same writer’s club, this summer, I was talking to one of the organizers about the Mol case. The guy told a familiar tale, of feeling ‘betrayed’ by Simon. Everyone was taken in by him, and not just the 12 women infected with HIV, and the many others who were lucky enough to get away with the encounter.
I also took part in a UK documentary about the culture of Polish soccer fans, which was filmed in Warsaw and Krakow late last year. One of the other contributors was Simon Mol, who was involved in the ‘Kick Racism out of Football’ campaign. I got a slightly worried email in March, this year, from the British producers of the film, asking whether Mol’s presence in the documentary would damage its credibility. It was too early to say yes or no, as nothing has been proved in a court of law, one way or another (and we should remember that it still hasn’t). I don’t know whether they have kept Mol in the film, but if I was the documentary maker, I probably would have left him on the cutting room floor.
I met Mol a few times, and he was a convincing character. He seemed genuine. And what he talked about – the inadequate refugee services in Poland, the racism he and other Africans encountered, remains, despite the fact the Mol himself allegedly appears to have been charlatan, essentially true.
Mol has left many angry, disappointed, and sick people in his wake. What is also worrying is the damaged image of genuine African refugees in Poland. They have joined the long list of victims of the actions of Simon Mol, the man whose poetry seduced a nation. Link
posted by BEING HAD at 8:33 PM
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